On the occasion of a class recital during my viola studies at the Academy of Music in Munich with Franz Beyer (1922-2018), he surprised us, his students, with his own special “recital” on his viola d’amore. For me, this was the proverbial “love at first sight”. Shortly afterwards, I had my first own viola d’amore in my hands, later called “Donald Duck” by my children. In addition to my viola lessons, Franz Beyer also taught me to play the viola d’amore. At the International Viola d’amore Congress in Stuttgart, I spontaneously joined the Viola d’amore Society of America. This enabled me to get to know Dorothea Jappe, whose scordatura class I later joined, where I met other viola d’amore friends. Over the years, I took part in several International Viola d’amore congresses and my role in the Society grew. In autumn, 2013, I founded the International Viola d’amore Society e.V. with eleven other interested colleagues and I was elected as the first president of this Society.
I studied music theory, violin, oboe, chamber music and conducting at the conservatories of Bruges, Ghent and Brussels. The biggest influence in my musical life however were the violin lessons with Prof. Eduard Melkus (Vienna). Till 2018 I was a teacher of violin, viola and chamber music at the Music Academy Knokke-Heist in Belgium. I was awarded in 1995 a 2nd price in KLM’s international contest “Bridging the World” out of 12.000 international projects, with the creation of the multicultural “Rajhans Orchestra”, and the composing of a concerto for veena (an Indian string instrument) and one for bass clarinet. I am a specialist in Indian fusion music and worked for translating and arranging the music of Rabindranath Tagore since 2002 and subsequently performing it all over the world. Since 2011 I am a self-taught in the viola d’amore and make chamber music compositions and also music with tape for viola d’amore since 2012. I hope that this experience will be beneficiary for the societies contemporary and future organisational and musical challenges.
Dr. Sibylle Hoedt -Schmidt is a music therapist for the elderly and a lecturer at the Rhein Music School in Cologne. She studied pharmacy and did her Ph.D. in pharmacology before beginning her musical studies in viola d’amore with Prof. Herbert Höne in Aachen. She then completed a postgraduate course in music therapy for the elderly in Münster. Her special interest is the viola d’amore and she learnt the skills of playing from Günter Ojstersek (1930-2018). She has been a committee member of the International Viola d’amore Society e.V. since 2013.
I studied the viola with Hariolf Schlichtig in Aachen. When my husband (flautist in the Aachen City Orchestra) bought a baroque flute at the end of the 90s, he tried to convince me to buy a baroque viola. This did not appeal to me at all as I find modern string instruments very beautiful. Eventually I bought a viola d’amore from Walter Mahr, without having any idea about the instrument except that there is modern music available for it. The first years were a trial even though I had courses with Günter Ojstersek and Marianne Kubitschek-Rônez. In 2014, I saw the light when I bought two old instruments, one of which was from Eberle (and formerly owned by Michael Mann). I then joined the International Viola d’amore Society e.V. After two years as auditor, I have now taken over the role as treasurer. Having a daughter who is a mathematician at an accounting firm, this should work out fine.
Anita van Heers-Thomason was born in Brussels, Belgium, came to the USA as a infant and grew up in a bicultural and bilingual family. She has a Bachelor of Music in violin and teaching credentials from the University of Southern California. She has been a member of the Dallas Symphony and Opera Orchestras, the Carmel Bach Festival Orchestra, the Glendale Symphony Orchestra and the Roger Wagner Chorale Sinfonietta and has been a free lance violinist and violist in the Los Angeles area for many years. She is currently a member of the Jefferson Baroque Orchestra. She has also been a teacher for violin and viola for four decades.
Dr. Daniel Thomason is a native Californian and received his Masters degree in viola and Doctor of Musical Arts in viola d’amore from the University of Southern California. He was a viola student of Sanford Schonbach and Paul Doktor and a viola d’amore student of Milton Thomas. He is a former member of the Birmingham Alabama Symphony, the 7th US Army Symphony Orchestra, the Dallas Symphony and Opera Orchestras, the Roger Wagner Sinfonia, the Carmel Bach Festival Orchestra and for 40 years a member of the Glendale Symphony Orchestra. He is currently a member of the Rogue Valley Symphony and the Jefferson Baroque Orchestra in Oregon. While serving (1958) in the 7th US Army Symphony Orchestra in Germany Dan became fascinated with the viola d’amore and he studied with Emil Seiler. In 1977 Myron Rosenblum and he founded the Viola d’amore Society of America. He has appeared as viola and viola d’amore soloist in the USA and Europe. In addition he taught his instruments in the Los Angeles School System for over 35 years and is currently a coach for the violins and violas of the renowned Santa Monica High School Philharmonic and Symphony Orchestras. Dan had published numerous original period instrument works which are editions of music for viola and viola d’amore that have been largely unknown since the 18th century. His speciality is the music of Carl Stamitz and Friedrich Wilhelm Rust.
Appointments and similar in USA and Canada, as well as international special contacts
Dr. Myron Rosenblum is a native New Yorker who studied viola with Lillian Fuchs, Walter Trampler and William Primrose and viola d’amore with Karl Stumpf. He has degrees from Queens College and New York University. Under a Fulbright Grant, he studied and researched the viola d’ amore in Vienna in 1964-1965. He has performed with many orchestras and chamber groups in the NYC area and elsewhere and has played viola d’amore with the New York City Opera, New York Philharmonic, the Richmond Symphony, The Brattleboro Music Festival and others. Among the many groups he has performed with are the New York Grand Opera, the American Opera Society, Clarion Concerts, the Greenwich Quartet and Music in Our Time. Myron has written articles related to viola and viola d’amore matters and is the author of the article “Viola d’amore” in the New Grove Dictionary. He recently retired as a Professor of Music from the City University of New York and is currently involved in free-lance playing in NYC, research and the publication of music for viola, viola d’amore and chamber ensembles. Myron is Co-Founder of the Viola d’amore Society of America and was the founder and first president of the American Viola Society.
Rüdiger Müller-Nübling (Nuffi)
Klaus D. Voigt
Dr. Peter Bruns